![]() ![]() PROQUEST AND ITS LICENSORS SPECIFICALLY DISCLAIM ANY AND ALL EXPRESS OR IMPLIED WARRANTIES, INCLUDING WITHOUT LIMITATION, ANY WARRANTIES FOR AVAILABILITY, ACCURACY, TIMELINESS, COMPLETENESS, NON-INFRINGMENT, MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. The translations are automatically generated "AS IS" and "AS AVAILABLE" and are not retained in our systems. Neither ProQuest nor its licensors make any representations or warranties with respect to the translations. This functionality is provided solely for your convenience and is in no way intended to replace human translation. You have requested "on-the-fly" machine translation of selected content from our databases. Both play and novel feature black fundamentalist preachers whose zeal for God's. Both works attempt to recreate the compelling dynamics of black fundamentalist, pentecostal congregational worship. Both play and novel are laden with black spirituals and biblical allusions. So Baldwin began Amen Corner, a "writing exercise," as he called it, in the form of a play.īut even though the play The Amen Corner (1954) is obviously different in genre from the novel Go Tell It on the Mountain (1952), it is not very different in idiom or message. try to repeat my first success and begin to imitate myself" (xv). another novel." He confessed, "I was really terrified that I would. expected to write diminishing versions of Go Tell It on the Mountain forever." To avoid such a fate, he said, "I was absolutely determined that I would not attempt. The event, Baldwin went on to say, taught him that he "was a writer, a Negro writer. I gagged, literally, and began to sweat, ran to the water cooler, tried to pull myself together, and returned to the office to explain the intention of my novel, I learned a great deal that afternoon learned, to put it far too briefly, what I was up against took the check and went back to Paris. They do, indeed, talk in a "come-to-Jesus" idiom, but to "take it out" could only mean that my editor was suggesting that I burn the book. asked me, when I entered his office for the first time and after the book had been accepted, "What about all that come-to-Jesus stuff? Don't you think you ought to take it out?" Go Tell It on the Mountain is the study of a Negro evangelist and his family. There he described his encounter with the editor assigned to his novel: His reaction was a complex one, perhaps more complex than he admitted openly in his preface to the published version of the play in 1968. ![]() ![]() By his own account, James Baldwin wrote The Amen Corner in reaction to the reception of his first novel Go Tell It on the Mountain. ![]()
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